Kenneth Chan is a versatile designer with a BA in Fashion Styling and Production from London College of Fashion, along with a Bachelor of Graphic Design from Raffles Design Institute.
With his diverse fashion background and graphic design experience, Kenneth excels at providing innovative and creative design ideas that push boundaries and captivate audiences across various platforms.
During this global pandemic and the resulting widespread lockdowns, it has become increasingly vital to prioritize indoor activities that can be performed digitally. The current landscape boasts a plethora of sophisticated software options that facilitate the creation of immersive virtual environments. Given the persistent constraints on physical movement due to ongoing lockdown measures, the fashion industry is poised to undergo a significant shift towards digital platforms. As individuals are unable to freely explore stores to catch up on the latest trends amidst the pandemic restrictions, the integration of digital solutions may play a paramount role in shaping the future of fashion consumption.
Designing with the post-COVID-19 era in mind involves not just adapting to new norms but also embracing innovative solutions. One crucial aspect is the incorporation of masks as an essential garment, a practice that has become integral to daily life. At London College of Fashion, forward-thinking is central to the curriculum, with educators drawing inspiration from diverse sources. With the design museum's display of astronaut attire sparked ideas for futuristic fashion concepts that transcend earthly boundaries. This futuristic approach extends beyond terrestrial concerns, reflecting a broader fascination with space exploration. As the interest in Mars exploration grows, a new space race emerges, blending scientific endeavors with the burgeoning possibilities of space tourism.
software used: clo3d, twinmotion
music creation: garageband
S/N
In collaboration with the emerging fashion designer Gillian Gif, the new collection, S/N, draws inspiration from magnets and touch. The futuristic virtual world of the 2020s serves as the backdrop, showcasing a society where technology evolves swiftly and touchless interactions are the norm. This innovative collection explores a dimension dominated by digital existence, underscoring the value of tactile sensations and genuine experiences. Through avant-garde ensembles, the S/N collection seeks to unify the virtual realm with the physical domain, highlighting the crucial role of human bonding amidst a tech-driven environment.
software used: blender, premier pro, meta shape
RIPPLES
In collaboration with the emerging local artist Amy Lai, I am able to leverage my extensive experience and diverse skills in design to craft immersive virtual environments. These visually stunning worlds serve as the ideal canvas to highlight and complement Amy's exceptional artwork, resulting in a mesmerizing fusion of creativity and innovation. Through this collaboration, Kenneth's expertise in fashion styling and production from London College of Fashion and graphic design from Raffles Design Institute shines, elevating the virtual spaces to new heights of aesthetic delight.
software used: blender, premier pro,
music creation: garage band
